Bluegrass heroes Stillhouse Junkies are on the forefront of breaking through the genre with their free-flowing musical interplay that weaves roots, classical, texas-swing and blues into a high-energy, intricately composed yet expansively improvised tapestry of sound.
How did East Nash Grass follow up their 2024 International Bluegrass Music Association (IBMA) award for Best New Artist? By earning a nomination for Entertainer of the Year, IBMA’s highest honor, in 2025, and celebrating fiddler Maddie Denton’s win as Fiddler of the Year. In short, East Nash Grass have quickly established themselves as the fresh new face of Nashville’s storied bluegrass tradition, a supergroup of rising stars: Grand Master Fiddle champion Denton is joined by banjo player Cory Walker (banjo player on the five-time nominated “Carter & Cleveland” album this year, among numerous accolades), 2022 IBMA Momentum Mandolin Player of the Year Harry Clark, and charismatic frontman James Kee. This is an all-star band that harkens back to the sort of talent collected in the original Blue Grass Boys and a powerhouse leader of the next generation in bluegrass excellence.
Damn Tall Buildings is a celebrated folk-bluegrass band known for their soulful melodies and intricate instrumentals. Based in Brooklyn, this seasoned trio—Max Capistran, Sasha Dubyk, and Avery Ballotta—has spent over a decade honing their craft through dedicated touring and recording. With a distinctive sound that weaves heartfelt lyrics into thoughtful fiddle, guitar, and bass arrangements, they embody a unique blend of Americana roots and contemporary style.
Banjo player Tray Wellington’s approach to the quintessential American instrument is all about looking forward. An International Bluegrass Music Association Award winner, Wellington is critically acclaimed not only for his technical prowess, but also for leveraging his unique point of view to craft a one-of-a-kind voice on the instrument. It’s a feat that’s all too rare in these roots genres that seem to value emulation and regurgitation over all else. Instead, Wellington has time and time again reasserted that his playing style, and all of the many varied and disparate parts that combine within it, is wholly his own – and it’s unconcerned with tradition.
It's hard to believe, because each show is fresh and new, but the RFD Boys have been delighting Michigan audiences since 1969 with their fabulous musicianship and sly, exquisitely timed between-song humor. They're legends of Michigan bluegrass, but they're more than that too. With an appearance on the cover of Bluegrass Unlimited, with songs recorded by the likes of the Country Gentlemen, and with performances alongside bluegrass greats like Bill Monroe and Ralph Stanley, the RFD Boys are a part of America's bluegrass tradition. No advance tickets. Tickets available at the door only.