The Ark316 S. MainAnn Arbor,
MI
48104United States
Born in Flint and a true Michigan institution, Mr. B (Mark Braun) is a rare living link to the early days of boogie woogie, having learned directly from legends like Little Brother Montgomery and Blind John Davis. He plays in concert halls, he plays outdoors, he’s even played on a piano he towed by swimming out to Mackinac Island, but wherever you hear him, it’s an exciting show.
The Stage on Main353 S. Main StAnn Arbor,
MI
48104United States
We are excited to once again partner with the Ann Arbor Summer Art Fair to bring live music each evening of the art fairs to the Stage on Main at the corner of Main and William in the Palio lot. Stop by and join one of our favorite street parties of the year!
The Ark316 S. MainAnn Arbor,
MI
48104United States
Whether playing mandolin, national steel, or screaming electric guitar, Davy Knowles has an unmistakable style. Since bursting onto the scene with his band Back Door Slam’s critically acclaimed album “Roll Away” in 2007, Davy’s star has only risen. His sophomore release “Coming Up For Air” was produced by the legendary Peter Frampton, with subsequent tours seeing him supporting and sharing the stage with acts such as Jeff Beck, The Who, Brian Setzer, and George Thorogood.
The Ark316 S. MainAnn Arbor,
MI
48104United States
Shemekia Copeland possesses one of the most instantly recognizable and deeply soulful roots music voices of our time. The multi-GRAMMY nominee is beloved and honored worldwide for the fearlessness, honesty and humor of her revelatory songs, as well as for her winning, engaging personality. The Chicago Tribune says, “Copeland is the greatest female blues vocalist working today. There’s no mistaking the majesty of her instrument, nor the ferocity of her delivery.”
The Ark316 S. MainAnn Arbor,
MI
48104United States
McKinley James is equal parts old soul and modern man. Armed with an electric guitar and sharp songwriting chops, he breathes new life into classic sounds with Working Class Blues, a debut album that introduces his mix of American rock & roll, amplified soul, and raw rhythm & blues.
The Ark316 S. MainAnn Arbor,
MI
48104United States
Hot Tuna, an iconic American blues rock band, has been delivering a profound musical experience to audiences pushing six decades. With founding members Jorma Kaukonen and Jack Casady at its helm, the band has constantly evolved, continually injecting fresh energy and improvisation into their sound.
The Ark316 S. MainAnn Arbor,
MI
48104United States
George Bedard will continue his History of American Music series at The Ark on August 16th. This year’s first set will begin a new tradition of exploring many different genres from a particular year – in this case 1959. The second set will be a tribute to the great slide guitarist and blues singer Elmore James.
The Ark316 S. MainAnn Arbor,
MI
48104United States
Once a year, Mark “Mr. B” Braun, Ann Arbor’s own wizard of blues and boogie piano music, comes together with other top piano players from around southeastern Michigan and beyond. Call it a piano summit, or perhaps a meeting of the minds! Audiences in southeastern Michigan tend to think of Mr. B as a local hero, but in fact he’s well known among fans and practitioners of blues and jazz piano music all over the country and around the world. This year’s celebration features Al Hill, Rick Roe, and a surprise special guest!
The Ark316 S. MainAnn Arbor,
MI
48104United States
Eric Johanson blends sharp songwriting with a deep connection to the guitar, creating music that’s dynamic, soulful, and rooted in a mix of rock, blues, and modern influences. His playing is expressive without being flashy—riff-driven and rhythmic one moment, fluid and melodic the next—always serving the song rather than overpowering it. There’s a rawness to his sound, but also a sense of purpose, pulling from the weight of tradition while pushing toward something new.
The Ark316 S. MainAnn Arbor,
MI
48104United States
Jerron Paxton is an American musician from Los Angeles, now living in New York City. A vocalist and multi-instrumentalist, Paxton’s style draws from blues and jazz music before World War II and was influenced by Fats Waller and Blind Lemon Jefferson. According to Will Friedwald in The Wall Street Journal, Paxton is “virtually the only music-maker of his generation — playing guitar, banjo, piano and violin, among other implements — to fully assimilate the blues idiom of the 1920s and ’30s, the blues of Bessie Smith and Lonnie Johnson.”
