“In today’s world, there are no musical boundaries,” says Max ZT of ‘House of Waters,’ a trio that makes those words come alive as they incorporate elements of West-African, jazz, psychedelic, indie rock, classical and world music into their astonishingly unique sound.
The “Jimi Hendrix of the Hammered Dulcimer” (NPR), Max ZT is an innovator of an instrument rarely heard in contemporary music. With roots in Irish folk music, Max has studied in Senegal, where he trained with the Cissoko Griot family, and India, where he studied under the santoor master Pandit Shivkumar Sharma. His unorthodox playing style has been a pioneering force in revolutionizing dulcimer techniques.
Moto Fukushima is a recognized master of the six-string bass. With a background in jazz improvisation, Western classical music and the music of South America, Moto’s playing is a combination of finesse, subtlety, and power that leaves audiences “slack-jawed in awe.” (Jazz Wise)
Nominated for the Best Contemporary Instrumental album at the 2024 GRAMMY awards, House of Waters is at the forefront of jazz innovation. With their new GroundUp Music recording, On Becoming, Max ZT and Moto Fukushima are joined by first-call accompanists: drummer Antonio Sanchez joins them throughout the album, and guitarist Mike Stern and vocalist Priya Darshini join the innovative group as special guests.