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Bio: Rufus Wainwright
Praised by the New York Times for his “genuine originality,” Rufus Wainwright has established himself as one of the great male vocalists and songwriters of his generation. The New York-born, Montreal-raised singer songwriter has released seven studio albums, three DVDs, and three live albums, including the fantastic Grammy nominated Rufus Does Judy at Carnegie Hall, which captured his celebrated Judy Garland tribute performance at the London Palladium in 2007, and the album Release The Stars which went Gold in Canada and the U.K.
Wainwright has received Juno Awards for Best Alternative Album in 1999 and 2002 for Rufus Wainwright and Poses, respectively, and nominations for his albums Want Two (2005) and Release the Stars (2008). He was nominated for Songwriter of the Year in 2008 for his Release the Stars album. He also composed the original music for choreographer Stephen Petronio’s work BLOOM which has toured across the country. Musically Rufus has collaborated with artists including Elton John, David Byrne, Boy George, Joni Mitchell, Pet Shop Boys and producer Mark Ronson among others. His most recent collaboration is on the title track of Robbie Williams’ latest album, Swings Both Ways, which was co-written with renowned musician and producer Guy Chambers and sung as a duet between Rufus and Robbie.
In addition to being a celebrated contemporary pop singer, Rufus has made a name for himself in the classical world. His much acclaimed first opera, titled Prima Donna, premiered at the Manchester International Festival in July 2009. The opera was subsequently performed in London at Sadler’s Wells in April 2010, in Toronto at the Luminato Festival in June 2010 and at the Brooklyn Academy of Music’s Howard Gilman Opera House in February 2012. Now fully established as a composer of operas, Rufus has been commissioned by the Canadian Opera Company to write his second opera based on the story of the Roman Emperor Hadrian and Antinous. The new opera will premiere in Toronto in October 2018.
Bio: José González
Imperial Recordings is excited to announce the release of José González ‘s new record, Vestiges & Claws. The album, his first in seven years, is out on February 17 and was produced by González in his home as well as Svenska Grammofonstudion, both in Gothenburg, Sweden. It consists of years’ worth of musical sketches that in other hands might naturally sprawl wildly in sound and style, but on Vestiges & Claws González has created a collection of songs that cohere just about perfectly, ensuring his position as one of the most important artists of his generation.
“It was no doubt a conscious decision to work without a producer,” said González. “I didn’t want this to be too polished, or too ‘in your face.’ Most of all, it’s fun to be in complete control of the artistic aspect. Also, I was inspired by and picked up a lot of tricks from the producers I have worked with in the past. I like to use distortion and let things be a little overdriven, which gives things a warmer sound. Sometimes people complain that my music is too muddled, but I really do not want a modern crisp sound. I’d much rather aim somewhere between Shuggie Otis and Simon & Garfunkel.”
The result is an album that is less purist, less strict. One can find traces of inspired protest songs and eccentric folk rock on Vestiges & Claws: staccato grooves and rhythms, frustration and optimism. It’s a collection that is simultaneously confident, free and uncertain.
González said, “I started out thinking that I wanted to continue in the same minimalistic style as on my two previous records, but once I started the actual recordings I soon realized that most of the songs turned out better with added guitars and a more beat-like percussion, and with more backing vocals.”
González has been far from idle in the seven years since the release of his last solo record, In Our Nature. Besides making two Junip albums and touring the world both solo and with the band, González has been active in the studio in various contexts. One project in 2013 was José’s input to the The Secret Life Of Walter Mitty soundtrack, directed by and starring Ben Stiller. Besides previously released José and Junip songs, the film also contains exclusively written material as well as an interpretation of John Lennon’s “#9 Dream.” Earlier this autumn, the AIDS awareness group, Red Hot Organization, released the compilation Master Mix: Red Hot + Arthur Russell, where González and guests play a very groovy, sax-laden version of Russell’s “This Is How We Walk On The Moon.” During this time, his song “Far Away” won the “Best Song in A Game” at the Spike Video Awards and Rolling Stone named Junip’s “In Every Direction” a Top 50 single of 2010.
Vestiges & Claws is, however, the first album where he has chosen to include exclusively original material, largely revolving around ideas of civilization, humanism and solidarity.
“I think that might be where there is some sort of common thread on this new record: The zoomed out eye on humanity on a small pale blue dot in a cold, sparse and unfriendly space. The amazing fact that we are here at all, an aim to encourage us to understand ourselves and to make the best of the one life we know we have — after birth and before death. And also, I’ve been okay with using rhymes this time,” González said with a smile. He added, “In general I think that the lyrics are clearer this time. And a little less self-pitying.”
Where Veneer and In Our Nature, might have sounded sparse and barren in parts, Vestiges & Clawshas an altogether new feeling to it, at once warmer and darker than before. He talks about how he’s found inspiration in sprawling 70′s Brazilian productions, American folk rock and West African desert blues this time. And how he’s decided to waive the principle of having everything on the album reproducible in a live context.
González summed it up, “I’ve focused more on the role of being a producer this time around. I’ve spent more time thinking of what’s best for the song and the recording.”
A deep, artful thinker whose singular approach to song writing and sonics sets him worlds apart, José González is in a class by himself. He has a voice. He has a sound. He has a point of view.Vestiges & Claws – musically gorgeous, strikingly profound in lyric — has a unique and quietly visceral power that is as an outstanding addition to what is now an impressive body of work. The album is, without question, the most highly anticipated of his career.