With Billy King, Emily Slomovits, San Slomovits, and Jen Sygit! A quartet of mainstays of the Michigan music scene join together to perform Joni Mitchell songs in honor of her […]
at Michigan Theater Join us for a special one of a kind show of songs, stories, and visuals. Lucinda Williams’ music has gotten her through her darkest days. It’s been that way since growing up amid family chaos in the Deep South, as she recounts in her candid new memoir, Don’t Tell Anybody the Secrets I told You. Over the past two years, it’s been the force driving her recovery from a debilitating stroke she suffered on November 17, 2020, at age 67. Her masterful, multi-Grammy-winning songwriting has never deserted her. To
wit, her stunning, sixteenth studio album, Stories from a Rock n Roll Heart, brims over with some of the best work of her career. And though Williams can no longer play her beloved guitar – a constant companion since age 12 – her distinctive vocals sound better than ever.
Special Guest: Jeff Scott
The Ark 316 S. Main, Ann Arbor, MI, United StatesThe constant for Ann Arbor-based Bill Edwards has always been songwriting. He won first prize in Billboard’s® national songwriting contest and his songs have been recorded by other singers and featured on TV and on the silver screen. He’s held staff-writer positions in Nashville and instructed others in the fine art of words and music. But you haven't heard Bill's songs until you've heard them presented in his own fine voice and with his expressive playing. Bill will be releasing his newest album, “So Far,” at this concert with a full band. This is his ninth full-length album. Opening the show will be metro Detroit singer/songwriter/producer Jeff Scott.
“I saw a literal manifestation of the sacred feminine, and had this profound sense that I was meant to embody it,” recalls singer-songwriter Lindsay Lou after journeying through a hallucinogenic ritual that would inform the way she processed waves of grief in the sea of change ahead of her. The loss of her grandmother, the end of her marriage, and the overwhelming turmoil of COVID lockdowns found the Nashville-based artist on a spiritual journey of self-knowledge and healing with this gift from the mystic swirl. On her brand-new album, “Queen of Time,” Lou explores that quest across ten tracks of tender, heartbreakingly beautiful music. Produced by Dave O'Donnell (James Taylor, Sheryl Crow, Heart) ) and featuring a gamut of guests including GRAMMY-winners Billy Strings and Jerry Douglas, Queen of Time celebrates love and loss, and captures a new arc of haloed beauty.
In the words of the Boston Globe, Darrell Scott "is to Nashville what Richard Thompson is to Britain and what Paul Brady is to Ireland." Most artists fall toward one side or the other of the divide between great songwriting and instrumental virtuosity, but in the songs of Darrell Scott words, music, and instruments are inseparable. Darrell has written some of the sharpest country songs of the 21st century (like the Dixie Chicks' "Long Time Gone"), and he can play just about anything with strings. Darrell's song "Hank Williams' Ghost" was named Song of the Year at the 2007 Americana Music Awards. Darrell has toured with Robert Plant and The Zac Brown Band, and, as a singer, songwriter, and instrumentalist he's been an artist to whom many in Nashville turn for a shot of inspiration. His music features guitars (including lap and pedal steel), keyboards, electric and acoustic bass, harp, bouzouki, harmonium, mandolin, banjolin, cello, glockenspiel, drums, and various other percussion instruments. Darrell has two recent albums, “Darrell Scott Sings the Blues of Hank Williams” and “Jaroso.”
Blending rock, folk, Celtic, bluegrass and Americana traditions into a high-energy style the group calls ether-electrified porch music, this Virginia quintet’s poetic songs are brought to life with acoustic & electric guitars, mandolin, fiddle, bass, drums, cello, banjo, penny whistle, pedal steel, accordion and rich vocal harmony. Carbon Leaf writes, records and produces its music independently from their studio in Richmond, VA, and has performed over 2,400 live shows across 17 albums in their long career. The group’s independent music and spirit continue to resonate with its fans.
Sweden’s Väsen-Duo, Mikael Marin and Olov Johansson, have, after almost 40 years of interaction and touring, refined their sound and their stage presence to the extent that today they are unique in their kind. They perform on a variety of stringed instruments, including kontrabasharpa, oktavharpa, three-rowed nyckelharpa, violoncello da spalla and a blue electric base-viola. Väsen comes to Michigan with a new album, “Melliken.”
Hawktail brings together musicians you've heard in a dozen other places into an exciting new combination! Fiddler Brittany Haas was a member of Crooked Still and a fixture on Chris Thile's "Live from Here" radio shows. Bassist Paul Kowert is a longtime member of Punch Brothers. Guitarist Jordan Tice grew up in bluegrass and has played with The Dave Rawlings Music Machine. And mandolinist Dominick Leslie has studied with Thile, Mike Marshall, and David Grisman, and has performed with Noam Pikelny & Friends. Put it together, and you have a band that can range across genres and recombine them with ease, imagination, and brilliant virtuosity.
Voted Guitarist of the Decade by Guitarist magazine and Best Acoustic Fingerstylist four years in a row by readers of Guitar Player, Adrian Legg dazzles audiences with an unclassifiable mixture of country, jazz, folk, rock, and classical styles.
If you haven’t heard of the cheerfully named supergroup Mr. Sun, you’ve certainly heard its proponents, four of the finest musicians on the American Roots scene: Renowned fiddler Darol Anger, Professor Emeritus at Berklee College of Music, who has released dozens of influential solo albums over a 50-year career in addition to his work with David Grisman and Mike Marshall, and founded the Turtle Island Quartet, Psychograss, and Republic of Strings; Joe K. Walsh, mandolin virtuoso and vocalist who spent four years with the award-winning bluegrass act the Gibson Brothers before becoming a solo artist, songwriter, and Strings Department Professor at Berklee; all-around guitar genius Grant Gordy, a former member of David Grisman’s band and respected solo artist and educator; and the phenomenal Scots bassist Aidan O’Donnell, who has backed harpist Maeve Gilchrist and countless modern jazz heroes. Their appearances in the last few years at Wintergrass, Rockygrass, Grey Fox, Freshgrass, Redwing Roots, and at IBMA conventions have created a reverberant clang throughout the Acoustic Americana music world.
Charlie Cunningham has emerged as a truly under-the-radar success story. He has headlined London’s iconic Queen Elizabeth Hall and has become a regular fixture in Europe’s most prestigious concert halls. Splitting his time between piano and nylon string guitar, Charlie creates melancholic yet rhythmically driven songs. When these are expressed with his characteristic restraint, something timeless takes shape. Despite his dyslexia making it nearly impossible for him to read music, Charlie earned a music degree and by his mid-20s worked a variety of odd jobs and wrote songs in his free time. Eventually, he moved to Seville, immersed himself in flamenco music and focused intensely on his guitar playing. Planning to stay for three months, he stayed for three years. Once home, Charlie found work playing in bars across London and Oxford —eventually returning to songwriting. Charlie has subsequently released two albums and four eps which have garnered over half a billion streams. Charlie comes to Michigan with his his third album, “Frame.” A collection of lush, delicate pop songs brimming with references to art rock, golden era jazz, and neo-classical composition—all the while maintaining the pared-back and clear-eyed musicality for which he is so well recognized. Throughout the album, Charlie creates the fragility, power and tension found in timeless songwriting, reanimated through a modern lens.
The Wailin' Jennys are neither a reggae group nor an all-female Waylon Jennings tribute band. Three extraordinary voices with one singular vision: The Wailin' Jennys continue to evolve into far more than the melodious sum of their individual talents years after blowing in on a fresh acoustic breeze from Canada's midwestern heartland. Canadians Nicky Mehta, and Ruth Moody and New Yorker Heather Masse were all well-established talents individually, and their collaboration is an example of how exciting it can be when performers with distinct outlooks find ways of working together. Each member of the trio contributes distinctive original songs to the mix, which ranges from folk-rock to Celtic to traditional song. This trio has won fans for its incredible harmonies at venues ranging from "A Prairie Home Companion" (multiple times) to the small-town parks and festivals in Manitoba that gave them their start.
The universe of guitar knows no boundaries for The California Guitar Trio. Since 1991, the group has enthralled listeners with a singular sound that fearlessly crisscrosses genres. The trio’s questing spirit drives it to explore the intersections between rock, jazz, classical, and world music. It even throws in the occasional surf or spaghetti Western tune for good measure. 31 years and 2000+ gigs later, the CGT remains intensely committed to explore, evolve and communicate a wide-ranging musical worldview.