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X-WR-CALDESC:Events for The Ark
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DTSTART;TZID=America/Detroit:20240701T193000
DTEND;TZID=America/Detroit:20240701T230000
DTSTAMP:20260523T031145
CREATED:20240312T131258Z
LAST-MODIFIED:20240625T163348Z
UID:10000529-1719862200-1719874800@theark.org
SUMMARY:Amos Lee
DESCRIPTION:“There’s a lot of existential stuff in these songs\,” says Amos Lee. “If you really listen to what’s in between the lines\, there’s a lot of grappling with your place in the world\, grappling with loss.  There’s a lot of grappling with the balance between bailing out the boat and rowing at the same time—the experience of writing music and playing songs while trying\, as we all are right now\, to make sense of a world that feels like it’s changing really quickly.”   \nOn his eleventh studio album\, Transmissions\, singer-songwriter Lee continues to expand his sonic range while sharpening his closely observed lyrics that squarely address death\, aging\, and love. The force behind such acclaimed albums as Mission Bell and Mountains of Sorrow\, Rivers of Song\, ever since his gold-selling 2005 debut Lee has been known for his association with a long list of collaborators and touring partners\, from Paul Simon to Zac Brown Band.  \nFor the new project\, he craved a return to an old-school style of recording\, working with his longtime band in a studio in rural Marlboro\, New York that was built by drummer Lee Falco and his dad out of reclaimed wood from an old church (“it’s exactly what you’d think a studio in upstate New York should be\,” notes Lee). Playing live on the floor for long hours\, in close quarters\, they were able to capture the album’s twelve songs in less than a week.  \n“I really wanted us to be all in the room\, making music together\, listening to each other and responding to each other\,” says Lee. “In this age where you can do everything at home and fly it in\, there’s something really beautiful about getting in a room and starting at the top\, the drummer counting in the song and everybody just playing. I would call it vulnerability.”  \nDespite the simplicity of the set-up\, though\, Lee also augmented the band’s soulful\, folk-funk sound with arrangements that extend the scope of some songs. “I’ve done a lot of shows over the past few years with orchestras\,” he says\, “and I wanted to find a way to have miniature moments that could represent those experiences. If you listen to the end of ‘Night Light\,’ or ‘Built to Fall\,’ there are moments that express those ideas of collaboration and orchestration.”  \nTransmissions marks only the second time that Lee has produced his own album (following 2016’s Spirit)\, a daunting challenge even for someone so familiar with the musicians. But he was determined not to overthink or over-complicate the task.  \n“As a producer\, I had to have a clean and clear vision of what I wanted before I went in\,” he says. “Especially now that I’ve done ten albums. I’m not lighting a bunch of candles and trying to conjure the spirit—it’s either there or it isn’t. And it was there from Day One. We were playing the song ‘Beautiful Day\,’ and I thought\, ‘Okay\, here’s a song I have a demo for\, but I don’t have a full version in mind. I’ve never played it with anyone\, I’ve never shown it to anybody\, and it’s a bit of a weird\, herky-jerky tune.’ And the bass and drums kicked ass\, the guitar playing is really cool—so yeah\, I felt it from note one. I was never in doubt.”  \nThe’ last few years have been wildly productive for Philadelphia native Lee. After 2022’s Dreamland album (which featured “Worry No More\,” a Top Ten AAA hit and his biggest single in over a decade)\, he followed up with two full-length projects paying homage to musical heroes—My Ideal: A Tribute to ‘Chet Baker Sings’ and Honeysuckle Switches: The Songs of Lucinda Williams. He expresses his awe for these two renegade artists; Williams for her incomparable language and Baker for his delivery. “I love songs that have the ability to expose a wide range of emotions in a short song\,” he says. “That’s what my favorite songs always do.”  \nThe Baker album in particular had a strong influence on Lee as a vocalist. “I didn’t grow up singing anything other than what was on the radio\,” he says\, “and when I started playing guitar\, it was John Prine and Dylan and Bill Withers and this classic songwriter stuff\, but also all this ‘90s R&B that I loved. I’d never approached what we’re calling jazz—the classics\, the songbook—and listening to Chet singing and singing along with him was like\, ‘Oh\, my God\, how is he doing this?’ It was like taking a master class in control and where to use your voice. That level of singing\, that level of musicianship\, was hugely inspirational—you don’t have to sing loud all the time. You can be really vulnerable\, and soft\, and really be at your best.”  \nTransmissions is Lee’s first release of original music on his own label\, Hoagiemouth Records. “It’s just a sign of the times\,” he says. “Things have really changed for someone like me\, and I’m going to adapt. I always wanted to have some kind of small label\, so it’s a cool opportunity.” (The imprint is distributed through the Thirty Tigers company\, which Lee is especially excited about since he and president David Macias are friends through fantasy baseball.)  \nFresh off of some dates with Willie Nelson and heading into a co-headlining tour with the Indigo Girls\, Amos Lee notes that his attitude about being embraced by his peers and his idols has transformed over the years\, and that his gratitude deeply informs the emotions throughout Transmissions.  \n“I just appreciate everything a lot more now\,” he says. “When you’re younger\, you get it\, but you don’t really get it because you’re like ‘Oh\, cool—my first tour ever and I’m opening for Bob Dylan? Cool.’ Or Norah Jones\, the biggest artist in the world\, bringing you out right off the street. How do you appreciate that? I was just sort of clueless\, honestly. Not out of malice\, but you have no context.  \n“So now I’m just grateful to have a career\,” he continues. “I’m grateful to be asked to share the stage with folks who I respect and admire and love and want to learn from and want to support. Now it’s about really being present while it’s happening and knowing that this is not promised\, none of this is destiny. It’s a lot of chance. So I’m making sure to really enjoy and appreciate all these opportunities.” 
URL:https://theark.org/event/amos-lee-240701/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Low Ticket Alert,Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/03/0701-AnnArbor-AmosLee-1920x1080-1.jpg
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DTSTART;TZID=America/Detroit:20240718T180000
DTEND;TZID=America/Detroit:20240718T230000
DTSTAMP:20260523T031145
CREATED:20240522T163313Z
LAST-MODIFIED:20240522T163313Z
UID:10000618-1721325600-1721343600@theark.org
SUMMARY:Summer Sounds at The Ann Arbor Art Fair
DESCRIPTION:We are excited to once again partner with the Ann Arbor Summer Art Fair to bring live music each evening of the art fairs to the Stage on Main at the corner of Main and William in the Palio lot. Stop by and join one of our favorite street parties of the year! \n6:00 Phillip-Michael Scales \nAs a kid\, Phillip-Michael Scales didn’t understand what it meant that his aunt’s close friend\, the guitar player who called him “Nephew” and he called “Uncle B\,” was B.B. King. Once Phillip-Michael began guitar lessons\, the significance became so clear that he shied away from soloing and most things blues. Instead\, he fell in love with songwriting when an English teacher told him “A great writer can make their reader identify with anyone.” When his Uncle B passed away\, Scales began incorporating more of the blues into his music as a way to honor him. “These days I’m finding more of my story in the blues. A lot has led me here between politics\, my identity\, and the idea of Legacy.” The result is a sound he calls “Dive Bar Soul” which takes a bit of indie rock storytelling and couples it with the passion of the blues. \n7:30 Joe and The Ruckus \nThe Ruckus is a collective with the goal of recontextualizing classic funk and soul music within our 21st century world. They formed during the pandemic and emerged from lock-down as changed people in search of new live music experiences from those typically seen pre-pandemic. The Ruckus rose to and surpassed that expectation\, providing electrifying live concerts with repertoire ranging from the father of funk\, James Brown\, to the king of soul\, Stevie Wonder\, and beyond into more modern artists and have now expanded from their hometown to NYC\, Chicago and Detroit.  \n 
URL:https://theark.org/event/summer-sounds-at-the-ann-arbor-art-fair-240718/
LOCATION:The Stage on Main\, 353 S. Main St\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/05/Phillip-Mickael-Scales-Promo-1-@bryanhiglesias-25-copy.jpg
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DTSTART;TZID=America/Detroit:20240719T180000
DTEND;TZID=America/Detroit:20240719T230000
DTSTAMP:20260523T031145
CREATED:20240522T163805Z
LAST-MODIFIED:20240522T163910Z
UID:10000619-1721412000-1721430000@theark.org
SUMMARY:Summer Sounds at The Ann Arbor Art Fair
DESCRIPTION:We are excited to once again partner with the Ann Arbor Summer Art Fair to bring live music each evening of the art fairs to the Stage on Main at the corner of Main and William in the Palio lot. Stop by and join one of our favorite street parties of the year! \n6:00 Jordan Hamilton \nCellist and vocalist Jordan Hamilton is a mix of mastery and maverick musicality; hip-hop influenced\, rhythmically layered\, melodically robust. Driven by diversity\, drawn to the cello’s tone\, cosmic strings calling souls home. A different kind of symphony\, hopeful enough to grow our empathy\, “part political activism\, part hopefulness\, part performance art\, part soundscapes\, and all entirely mesmerizing.” (John Sinkevics\, Local Spins) Emotional energy crafted from integrity\, immaterial and immortal\, experienced at the speed of sound\, with a bit of bounce\, groove by the ounce\, and all the jump you’ll need to move. \n7:30 Tony Furtado \nVery few musicians of any stripe so personify a musical genre as completely as Tony Furtado embodies Americana roots music. Tony is an evocative and soulful singer\, a wide-ranging songwriter and a virtuoso multi-instrumentalist adept on banjo\, cello-banjo\, slide guitar and baritone ukulele who mixes and matches sounds and styles with the flair of a master chef. 
URL:https://theark.org/event/summer-sounds-at-the-ann-arbor-art-fair-240719/
LOCATION:The Stage on Main\, 353 S. Main St\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2023/03/TONYFURTADO2014byALICIAJROSE_1B7A3885-scaled-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20240720T180000
DTEND;TZID=America/Detroit:20240720T230000
DTSTAMP:20260523T031145
CREATED:20240522T164517Z
LAST-MODIFIED:20240522T164750Z
UID:10000620-1721498400-1721516400@theark.org
SUMMARY:Summer Sounds at The Ann Arbor Art Fair
DESCRIPTION:We are excited to once again partner with the Ann Arbor Summer Art Fair to bring live music each evening of the art fairs to the Stage on Main at the corner of Main and William in the Palio lot.  Stop by and join one of our favorite street parties of the year! \n6:00 Brain Plasticity Ukulele Collective and BLUESHOUSE! \nBrain Plasticity Ukulele Collective is an open community of musicians playing at all levels and abilities. Ukes? Well\, it’s more like 30 different instruments. Plasticity? Yes! The Brain Plasticity Ukulele Collective believes that by sharing music and learning how to play a new instrument\, you can: “Drop a brain bomb. Fire up the synapses. Rewire some neural pathways.” And BLUESHOUSE!\, led by veteran English bluesman Mike Brooks\, has enlivened countless stages and street parties around southeast Michigan over the last decade. Join us for a combination that will stretch your brain! \nMike Brooks\, veteran blues guitar player/singer/songwriter from the UK has been playing guitar since the age of 10\, and professionally since the age of 16. His musical career and accolades are many and varied\, but include hitting the UK charts in 1979 (#28 on “the New Wave of British Heavy Metal” despite being a blues band)\, getting a cease and desist order from Walt Disney Corp for using a band name too close to that of a cartoon mouse\, opening for bands such as the Yardbirds\, the Animals\, Wishbone Ash and Nine Below Zero\, and playing in some of the most famous venues anywhere such as London’s Marquee\, and\, well\, The Ark! In addition to leading BLUESHOUSE and fronting the Brain Plasticity Ukulele Collective\, he also works with Ann Arbor’s youth at the Neutral Zone\, a continuation of a youth music project begun in the UK called Electric896\, which taught disengaged youth how to rock the blues.
URL:https://theark.org/event/summer-sounds-at-the-ann-arbor-art-fair-240721/
LOCATION:The Stage on Main\, 353 S. Main St\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/05/BPUC-wide-shot-with-crowd-scaled.jpg
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DTSTART;TZID=America/Detroit:20240723T190000
DTEND;TZID=America/Detroit:20240723T230000
DTSTAMP:20260523T031145
CREATED:20240418T174953Z
LAST-MODIFIED:20240418T181908Z
UID:10000574-1721761200-1721775600@theark.org
SUMMARY:Lyle Lovett and His Large Band
DESCRIPTION:A singer\, composer and actor\, Lyle Lovett has broadened the definition of American music in a career that spans 14 albums. Coupled with his gift for storytelling\, the Texas-based musician fuses elements of country\, swing\, jazz\, folk\, gospel and blues in a convention-defying manner that breaks down barriers. \nWhether touring as a Duo or with his Acoustic Group or his Large Band\, Lovett’s live performances show not only the breadth of this Texas legend’s deep talents\, but also the diversity of his influences\, making him one of the most compelling and captivating musicians in popular music. \nSince his self-titled debut in 1986\, Lyle Lovett has evolved into one of music’s most vibrant and iconic performers. Among his many accolades\, besides the four Grammy Awards\, he was given the Americana Music Association’s inaugural Trailblazer Award\, and was named Texas State Musician. \nHis works\, rich and eclectic\, are some of the most beloved of any artist working today.
URL:https://theark.org/event/lyle-lovett-and-his-large-band-240723/
LOCATION:Masonic Jack White Theatre\, 500 Temple Street\, Detroit\, MI\, 48201\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/04/Lyle-Lovett.jpg
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