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X-WR-CALDESC:Events for The Ark
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DTSTART;TZID=America/Detroit:20240821T183000
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DTSTAMP:20260420T094548
CREATED:20240117T164013Z
LAST-MODIFIED:20240123T180352Z
UID:10000456-1724265000-1724281200@theark.org
SUMMARY:The Avett Brothers
DESCRIPTION:Three-time Grammy Award nominees The Avett Brothers made mainstream waves with their 2009 major label debut “I And Love And You.” In 2012\, “The Carpenter” hit #4 on the Billboard Top 200\, followed by “Magpie And The Dandelion” in 2013\, which debuted at #5. In 2016\, the band was inducted into the North Carolina Music Hall of Fame. Their latest album\, “The Third Gleam” debuted at #1 on Billboard’s Americana/Folk Albums chart\, #1 Rock Albums\, and #1 Vinyl Albums. Single “Victory” hit #1 on the Americana Radio Singles Chart. The Avett Brothers stayed connected with fans amidst the COVID-19 pandemic by playing two sold out drive-in shows at Charlotte Motor Speedway in the span of three months. “Swept Away” – a musical inspired by & featuring the music of The Avett Brothers – premiered in January 2022 at Berkeley Repertory Theatre to rave reviews from audiences and critics and is currently in D.C. for a limited pre-Broadway engagement at Arena Stage.
URL:https://theark.org/event/the-avett-brothers-240821/
LOCATION:Masonic Temple Theatre\, 500 Temple St\, Detroit\, MI\, 48201\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/01/0421-Detroit-AvettBrothers-1920x1080-1.jpg
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DTSTART;TZID=America/Detroit:20240821T190000
DTEND;TZID=America/Detroit:20240821T230000
DTSTAMP:20260420T094548
CREATED:20240227T162432Z
LAST-MODIFIED:20240227T162432Z
UID:10000512-1724266800-1724281200@theark.org
SUMMARY:Graham Nash
DESCRIPTION:Legendary artist Graham Nash is a two-time Rock and Roll Hall of Fame inductee – with Crosby\, Stills\, and Nash and with the Hollies. He was also inducted twice into the Songwriter’s Hall of Fame\, as a solo artist and with CSN\, and he is a GRAMMY Award winner. \nTowering above virtually everything that Graham Nash has accomplished in his long and multi-faceted career\, stands the litany of songs that he has written and introduced to the soundtrack of the past half-century. His remarkable body of work\, beginning with his contributions to the Hollies opus from 1964 to ’68\, including “Stop Stop Stop\,” “Pay You Back With Interest\,” “On A Carousel\,” “Carrie Anne\,” “King Midas In Reverse\,” and “Jennifer Eccles\,” continues all the way to his most recent album\, “Now\,” released in 2023. \nThe original classic union of Crosby\, Stills & Nash (& Young) lasted but twenty months.  Yet their songs are lightning rods embedded in our DNA\, starting with Nash’s “Marrakesh Express\,” “Pre-Road Downs” (written for then-girlfriend Joni Mitchell)\, and “Lady Of the Island\,” from the first Crosby\, Stills & Nash LP (1969).  On CSNY’s Déjà Vu (1970)\, Nash’s “Teach Your Children” and “Our House” beseeched us to hold love tightly\, to fend off the madness that was on its way. \nOverlapping CSNY\, Nash’s solo career debuted with Songs For Beginners (1971)\, whose “Chicago/We Can Change the World” and “Military Madness” were fueled by the Long Hot Summer\, the trial of the Chicago Eight\, and the ongoing Vietnam war.  Songs from that LP stayed in Nash’s concert sets for years including “I Used To Be A King” and “Simple Man”.  His next album\, Wild Tales (1974)\, addressed (among other issues) unfair jail terms for minor drug offenses (“Prison Song”)\, unfair treatment of Vietnam vets (“Oh! Camil”)\, the unfairness of fame (“You’ll Never Be the Same”)\, and his muse\, Joni (“Another Sleep Song”). \nThe most resilient\, long-lived and productive partnership to emerge from the CSNY camp launched with the eponymously titled Graham Nash/David Crosby (1972)\, bookended by Nash’s “Southbound Train” as the opening track and “Immigration Man” as the closer.  The duo contributed further to the soundtrack of the ’70s on their back-to-back albums\, Wind On the Water (1975) and Whistling Down the Wire (1976). \nOn the CSN reunion studio LP (1977)\, Nash took top honors with “Just A Song Before I Go” (written in the space of one hour\, and a Top 10 hit single).  Lightning struck once more on CSN’s Daylight Again (1982)\, on which Nash penned their second (and final) Top 10 hit\, “Wasted On the Way\,” lamenting the energy\, time and love lost by the group due to years of internecine quarrels. \nNash’s passionate voice continues to be heard in support of peace\, and social and environmental justice. The No Nukes/Musicians United for Safe Energy (MUSE) concerts he organized with Jackson Browne and Bonnie Raitt in 1979 remain seminal benefit events.  In 2011\, Nash was instrumental in bringing MUSE back to the forefront with a concert to benefit Japan disaster relief and groups promoting non-nuclear energy worldwide. That same year\, he and Crosby were among the many musicians who made their way to the Occupy Wall Street actions in lower Manhattan. \nIn September 2013\, Nash released his long-awaited autobiography Wild Tales\, which delivers an engrossing\, no-holds-barred look back at his remarkable career and the music that defined a generation. The book landed him on the New York Times Best Sellers list\, and was released in paperback in late 2014. \nIn recognition for his contributions as a musician and philanthropist\, Nash was appointed an Officer of the Order of the British Empire (OBE) by Queen Elizabeth. While continually building his musical legacy\, Nash is also an internationally renowned photographer and visual artist. With his photography\, Nash has drawn honors including the New York Institute of Technology’s Arts & Technology Medal and Honorary Doctorate of Humane Letters and the Hollywood Film Festival’s inaugural Hollywood Visionary Cyber Award.  His work is collected in the book Eye to Eye: Photographs by Graham Nash; he curated others’ work in the volume Taking Aim: Unforgettable Rock ‘n’ Roll Photographs Selected by Graham Nash (2009). \nNash’s work has been shown in galleries and museums worldwide. His company Nash Editions’ original IRIS 3047 digital printer and one of its first published works—Nash’s 1969 portrait of David Crosby— is now housed in the National Museum of American History at the Smithsonian Institution in recognition of his revolutionary accomplishments in the fine arts and digital printing world.
URL:https://theark.org/event/graham-nash-240821/
LOCATION:Royal Oak Music Theatre\, 318 W 4th St\, Royal Oak\, MI\, 48067\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/02/graham-nash.jpg
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DTSTART;TZID=America/Detroit:20240821T200000
DTEND;TZID=America/Detroit:20240821T230000
DTSTAMP:20260420T094548
CREATED:20240418T131020Z
LAST-MODIFIED:20240715T134347Z
UID:10000570-1724270400-1724281200@theark.org
SUMMARY:Doolin'
DESCRIPTION:After three years of breakout touring at some of the biggest roots festivals in the United States and Canada\, and another three years locked out of the live performance world they have so ambitiously cultivated\, Doolin’\, France’s premiere practitioners of Irish and Celtic music\, return to touring with a new album entitled CIRCUS BOY.  \nRecorded in part in the US (Chicago\, Kansas City and Pittsburgh) during their 2019 tour\, the album was completed at the legendary Studio Ferber in Paris\, France\, under the direction of two legendary producers\, Olivier Lude and Patrice Renson\, both of whom have collaborated with some of the biggest names in French music. While their 2016 album drew its inspiration from the fusion of traditional Irish music\, French chanson\, and American roots music\, CIRCUS BOY is resolutely more adventurous\, as evidenced by their original compositions as well as by the added punch and sonic elements that were brought to the project by producers Lude and Renson.   \nWilfried Besse’s vocals are supported as usual by the driving rhythm section of Josselin Fournel (percussion)\, Sébastien Saunié (bass) and Nicolas Besse (guitars)\, and the trad-Irish influence remains evidenced through the whistles of Jacob Fournel\, the bodhran of his brother\, Josselin\, and the nimble accordion playing of Nicolas’ brother\, Wilfried. But CIRCUS BOY represents a more powerful and bigger musical vision for the band\, made possible by the introduction of piano\, drums\, and brass as new sonic elements. That said\, the Irish music tradition is not complete without the presence of a fiddle or two\, and on CIRCUS BOY Doolin’ includes three of the best European fiddlers of the genre: Niahm Gallagher\, Niall Murphy\, and Guilhem Cavaillé\, himself a founding member of the band. 
URL:https://theark.org/event/doolin-240821/
LOCATION:The Ark\, 316 S. Main\, Ann Arbor\, MI\, 48104\, United States
ATTACH;FMTTYPE=image/jpeg:https://theark.org/wp-content/uploads/2024/04/DOOLINweb-cropped-1024x663-1.jpg
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